27,512 Free Images of Colored Chalk

yale center for british arthand-coloredaquatint prints in the yale center for british artaquatintetchings in the yale center for british artetchingromanticismthomas rowlandsonthomas sutherlandwilliam daniell
Blue and Buf Loyalty, Thomas Rowlandson, 1788
etchings in the yale center for british artromanticism
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
A Touch of the Times, Thomas Rowlandson, 1788
etchings in the yale center for british artromanticism
View of the East Front of the New Theatre Royal Covent Garden, William Daniell, 1809
aquatint prints in the yale center for british artwilliam daniell
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Mare and Foal, Victor Adam
victor adamgodard
Shooting [set of six]: 2. Pheasant Shooting, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Kazan Cathedral-Toselli, Angelo Toselli, 1821
drawings by angelo toselli1821 lithographs
Vacation Amusements: Pheasant Shooting (Number I), John Doyle, 1840
lithograph prints in the yale center for british artjohn doyle
Capt. Becher on Vivian, George Hunt, 1834
aquatint prints in the yale center for british artgeorge hunt
Vacation Amusements. No. 4 Cultivating the Fine Arts.--- Etching, & c. or HB's Ascendancy in danger! (from: Caricature, vol. 6), John Doyle, 1840
lithograph prints in the yale center for british artjohn doyle
H.M.S. Warspite 50 Guns, Edward Duncan
aquatint prints in the yale center for british artedward duncan
Southwark Iron Bridge, Thomas Sutherland, 1819
aquatint prints in the yale center for british artthomas sutherland
Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828, Edward Duncan
aquatint prints in the yale center for british artedward duncan
A New Insect, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
A View of the Bridge now Building over the Thames at Vauxhall, William Daniell, 1810
aquatint prints in the yale center for british artwilliam daniell
Hunting, Shooting, etc. [set of six]: 1. Duck Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
The Toast, George Hunt, 1824
aquatint prints in the yale center for british artgeorge hunt
Plate I: London from Greenwich Park, William Daniell, 1804
aquatint prints in the yale center for british artwilliam daniell
The Reconciliation, or the Return from Scotland, Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Ascot Heath Race for His Majesty's Gold Plate, James Pollard, 1826
aquatint prints in the yale center for british artjames pollard
The Departure, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
(The) A Grand Battle between the Famous English Cock and Russian Hen!, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
On the Banks of the Marne below the Bridge at Charenton, Thomas Girtin, 1803
aquatint prints in the yale center for british artthomas girtin
Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Plate V: London, Somerset House (from William Daniell's Six Views of London; Thames side), 1805
aquatint prints in the yale center for british artwilliam daniell
Shooting [set of six]: 1. Partridge Shooting, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Sublime Oratory ______ A Display of it, Johann Heinrich Ramberg, 1788
etchings in the yale center for british artjohann heinrich ramberg
Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4), Thomas Rowlandson, 1801
etchings in the yale center for british artromanticism
Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, Thomas Rowlandson, circa 1786
etchings in the yale center for british artromanticism
Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Canterbury, Francis Jukes, circa 1790
aquatint prints in the yale center for british artfrancis jukes
The Fair on the Thames, February 4, 1814, Luke Clennell
aquatint prints in the yale center for british artluke clennell
A set of four - Shooting: Plate II. Game found, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Breaking up for the Vacation, John Doyle, 1840
lithograph prints in the yale center for british artjohn doyle
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
An Elevated View of the New Dock in Wapping, William Daniell, 1803
aquatint prints in the yale center for british artwilliam daniell
Welgelegen:Vue du Pavillon de Harlem prise du Bois, Willem Hendrik Hoogkamer
engravings in the yale center for british artwillem hendrik hoogkamer
Plate III: London, London Bridge (from William Daniell's Six Views of London; Thames side), 1804
aquatint prints in the yale center for british artwilliam daniell
Set of six: 3. Hunter, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends, Thomas Rowlandson
etchings in the yale center for british artromanticism
Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
To the British Nation, Thomas Sutherland, 1836
aquatint prints in the yale center for british artthomas sutherland
Plate VI: London, Westminster Bridge and the Abbey, William Daniell, 1805
aquatint prints in the yale center for british artwilliam daniell
Plate II: London, the Pool and the Tower (from William Daniell's Six Views of London; Thames side), 1804
aquatint prints in the yale center for british artwilliam daniell
Hunting, Shooting, etc. [set of six]: 1. "Grow ye Britons then", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
A View of the Frigates Stationed in the Hope under the Command of the Elder Brethen of the Trinity House, Thames Estuary, William Daniell, 1804
aquatint prints in the yale center for british artwilliam daniell
Shooting [set of six]: 6. Packing up, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Millbank Looking Westward, Francis Jukes, 1796
aquatint prints in the yale center for british artfrancis jukes
Medical Intelligence - Extraordinary - A Coronation in Pall Mall, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823,..., Edward Duncan, 1840
aquatint prints in the yale center for british artedward duncan
Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825, Edward Duncan
aquatint prints in the yale center for british artedward duncan
A set of four - Shooting: Plate III. Dogs brought the Fame & reloading, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Set of six: 6. Hack, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
The Ceremony of the Procession ad Montem, James Pollard
aquatint prints in the yale center for british artjames pollard
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
The Destruction by Fire of the House of Parliament, Maxim Gauci
aquatint prints in the yale center for british artmaxim gauci
Downe, Views of Kent, Francis Jukes, 1786
aquatint prints in the yale center for british artfrancis jukes
Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire, John Doyle, 1846
lithograph prints in the yale center for british artjohn doyle
A set of four - Shooting: Plate IV. Refreshing, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
A Lying-In Visit, or a Short-Sighted Mistake, Thomas Rowlandson, 1792
etchings in the yale center for british artromanticism
Millbank Looking Eastward, Francis Jukes, 1796
aquatint prints in the yale center for british artfrancis jukes
A View Near Briton Causway, Francis Jukes, 1785
aquatint prints in the yale center for british artfrancis jukes
Coaching: The Cambridge Telegraph, Starting from the White Horse, George Hunt, 1831
aquatint prints in the yale center for british artgeorge hunt
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Britania's Protection, or, Loyalty Triumphant, Thomas Rowlandson, 1800
etchings in the yale center for british artromanticism
The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786
etchings in the yale center for british artjohn william edy
Set of six: 1. Charger, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
This Plate representing the Opening of the St. Katharine Docks, on Saturday the 25th of October 1828, Edward Duncan, 1829
aquatint prints in the yale center for british artedward duncan
Hare Hunting: Doddington Beagles, Henry Pyall
aquatint prints in the yale center for british arthenry pyall
Bardolph Badger'd Or the Portland Hunt, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
Reformation - or - The Wonderful Effects of a Proclamation!!!, Thomas Rowlandson, 1787
etchings in the yale center for british artromanticism
Coaching: North-Country Mails at the Peacock, Islington, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Set of six: 5. Tilbury Horse, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
The Derby Favorite, A Little Amiss, John Doyle, 1840
lithograph prints in the yale center for british artjohn doyle
Hunting, Shooting, etc. [set of four]: 4. Pheasant Shooting, Samuel Howitt, 1793
aquatint prints in the yale center for british artsamuel howitt
View of Blackfriars Bridge and St. Paul's, Thomas Sutherland, 1803
aquatint prints in the yale center for british artthomas sutherland
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest., James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Carlton House, Thomas Sutherland, 1817
aquatint prints in the yale center for british artthomas sutherland
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
View on the Thames, George Hunt, 1836
aquatint prints in the yale center for british artgeorge hunt
Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
Shooting [set of six]: 4. Wild Duck Shooting, James Pollard, 1825
aquatint prints in the yale center for british artjames pollard
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785
etchings in the yale center for british artromanticism
Accurate Perspective View of the Outside of the Royal Exchange in London, Francesco Bartolozzi, 1788
aquatint prints in the yale center for british artfrancesco bartolozzi
A set of four - Shooting: Plate I. Going out, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Shooting [set of six]: 5. Snipe Shooting, James Pollard, 1825
aquatint prints in the yale center for british artjames pollard
View of the Worcester Race-Course and Grand Stand, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
The "Dilly" Looking Up, John Doyle, 1840
lithograph prints in the yale center for british artjohn doyle
Brothers of the Whip, Thomas Rowlandson, 1781
etchings in the yale center for british artromanticism
A Peep into the Retreat at Tinnehinch, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Salisbury, New Council House, Francis Jukes, 1798
aquatint prints in the yale center for british artfrancis jukes
2401 - 2500 of 27,512 Next page
/ 276